"We prepare students to engage in the world that is and to help bring about a world that ought to be."
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English

The English Department aspires to teach students to read and write with accuracy, clarity, and elegance; to think logically, analytically, and imaginatively; and to engage in respectful and productive conversations. Meeting for Worship provides a model for our classrooms by encouraging us to listen, to use silence effectively, and to be open to inspiration. Students are taught in heterogeneously grouped classes. In small and large discussion groups, they work cooperatively on tasks ranging from deciphering a puzzling phrase to analyzing a metaphor to discussing the morality of characters and the moral stances of narrators and authors. Our students learn that a great work of literature is worth the time it takes to read—and reread—and that fine writing is worth the significant effort it takes to produce.
 
The study of literature plays a distinctive role in teaching students about the diversity of human relations and cultures and in educating them to become citizens of increasingly heterogeneous communities; thus, the English program is an important part of what educates Friends students to “engage in the world that is” and to imagine “a world that ought to be.” Students encounter characters with whom they can identify and narratives that affirm their experiences as well as those that expand their understanding of worlds unfamiliar to them. As students contemplate the story of a character or community initially strange to them, they better understand differences and uncover surprising commonalities. If they carry these lessons from literature to life, then studying literature furthers our School’s mission.
 
The sequence of English courses 5-12, appropriately demanding at each level, provides students with a firm grounding in many facets of the study of English—grammar, vocabulary, reading comprehension, literary history and analysis, prosody, and writing in various genres. The curriculum, developed over decades, includes common texts and skills for each grade level to ensure that students in different sections receive the same basic training. The English Department develops methods and materials, including study guides and model essays, for showing our students what constitutes accurate reading, lively interpretation, sound argument, and clear writing. In doing so, we try to counter the enduring perception that every interpretation of a text can be valid. We believe that students can learn the skills of keen observation, logical interpretation, and argument development and that these skills will make them better readers and better citizens.
 
  • English 9

    Of signal importance to literature in English, the Bible is the centerpiece of the ninth-grade curriculum. Students are introduced to a number of translations, from the King James Version to Robert Alter’s.  As they encounter biblical allusions, themes, and analogs, students begin to understand how writers can be in conversation with each other across centuries and continents. With an emphasis on how accurate observations of a text lead to the most imaginative interpretations, we continue to develop literary-critical skills. Through vocabulary building, instruction in grammar, and regular, varied writing assignments, we give students a foundation for more advanced study of English language and literature.

    Common Texts: Readings from the Bible and William Shakespeare’s Macbeth

    Other texts may include Sophocles’ Antigone, James Baldwin’s Go Tell It on the Mountain, Arthur Miller’s The Crucible, and Marilynne Robinson’s Housekeeping.
     
    5 periods/cycle
    Full year course – 4 credits 
     
  • English 10

    English 10 focuses on British Literature. Tenth graders begin their study of British literature with a brief introduction to the origins of the English language. Students learn the formal qualities of poetry, including scansion, figures of sound and speech, and poetic form. Building on the basic grammar they studied in ninth grade, students learn the functions of subordinate clauses, gerunds, participles, and infinitives. Students are thereby prepared for the serious study of British literature by authors as various as Geoffrey Chaucer, William Shakespeare, and Jane Austen. In the spring, tenth graders expand their study of British literature to include colonial and postcolonial texts that demonstrate further how wide-reaching and complicated the field of British literature has become over the last thousand years.
     
    Common Texts: Selections from Geoffrey Chaucer’s The Canterbury Tales, William Shakespeare’s Othello or The Tempest, Jane Austen’s Persuasion or Pride and Prejudice, and a selection of colonial and postcolonial literature.
     
    Other texts may include Beowulf, Sir Gawain and the Green Knight, Emily Brontë’s Wuthering Heights, Mary Shelley's Frankenstein, William Blake's Songs of Innocence and Experience, Jonathan Swift’s Gulliver’s Travels, James Joyce’s Dubliners,, Athol Fugard’s Master Harold and the Boys, Aimé Césaire’s A Tempest, Jamaica Kincaid’s A Small Place, and essays by Jamaica Kincaid, George Orwell, and Jonathan Swift.

    5 periods/cycle
    Full year course – 4 credits 

  • English 11

    English 11 is an introduction to American Literature. Beginning with selections from Ralph Waldo Emerson, Henry David Thoreau, and Martin Luther King, Jr., English 11 focuses on the challenge of self-reliance within a community. The course emphasizes reading accurately at the sentence level—whether reading nineteenth-century essays or twentieth-century fiction. The more closely students read, the better they are able to recognize the variety of American experiences beyond their own. Such careful reading also prepares students to craft their own sentences and essays. Our grammar study emphasizes writing with clarity and precision. In reading and discussing literary texts, writing essays, and occasionally leading a lesson, students learn to balance self-reliance and collaborative work as a community of scholars.
     
    Common texts: Selections from Ralph Waldo Emerson, Henry David Thoreau, and Martin Luther King, Jr.; Nathaniel Hawthorne’s The Scarlet Letter; Herman Melville’s “Bartleby”; Mark Twain’s The Adventures of Huckleberry Finn; and selected poetry of Emily Dickinson and Walt Whitman.
     
    Other texts may include works by writers such as James Baldwin, Willa Cather, Ta-Nehisi Coates, Frederick Douglass, Ralph Ellison, F. Scott Fitzgerald, Zora Neale Hurston, Harriet Jacobs, Gish Jen, Nella Larsen, Toni Morrison, Flannery O’Connor, Phillis Wheatley, and a variety of other American poets.
     

    5 periods/cycle
    Full year course – 4 credits 

  • English 12

    Students in English 12 continue to hone their analytic reading and writing skills through seminar-style discussions, short and long in class assessments, and  formal and informal writing opportunities. All sections read the Greek tragedy Oedipus the King by Sophocles and conduct a long study of Hamlet by William Shakespeare before they diverge and read a diverse selection of texts that draw from a wide range of genres, periods, and continents. Readings may include works by Homer, Derek Walcott, James Baldwin, Vladmir Nabokov, Dante Aligheri, Haruki Murakami, Toni Morrison, Virginia Woolf, Jesmyn Ward, J. M. Coetzee, Philip Roth, Julie Otsuka, William Faulkner, Alison Bechdel, Art Spiegelman, August Wilson, and Gabriel Garcia Marquez.

    5 periods/cycle
    Full year course - 4 credits

  • English Seminar: Fall

    In the fall, the English elective is open to qualified junior and seniors. The class focuses on a particular genre or theme or the work of a single author; the bulk of the writing is analytic.
  • English Seminar: Spring

    In the spring, the English elective is open to qualified sophomores, juniors, and seniors. The class focuses on a particular genre or theme, and the bulk of the writing is creative.
  • Creative Writing

    Creative Writing is a semester-long workshop focusing on the short story form. Students are asked to read exemplary short stories from a range of authors including Lucia Berlin, Franz Kafka, Flannery O’Connor, and Jorge Luis Borges. They will then respond to a prompt based on some structural or thematic element of a story with a short work of their own. In their work, students are encouraged to experiment with form, genre, and style. At the end of the semester each member submits a polished final story to the workshop for feedback. The revised final stories are then compiled into a collection designed by the students.

    2 or 3 periods/cycle
    One semester course (Fall and/or Spring) – 1 credit      
Friends Seminary actively promotes diversity, equity, inclusion, and anti-racism in all its programs and operations, including admissions, financial aid, hiring, and all facets of the educational experience. To form a community which strives to reflect the world’s diversity, we do not discriminate on the basis of race or color, religion, nationality, ethnicity, economic background, physical ability, sex, gender identity or expression, or sexual orientation. Friends Seminary is an equal opportunity employer.

FRIENDS SEMINARY
222 East 16th Street
New York, NY 10003
P: 212-979-5030
F: 212.979.5034
Friends Seminary — the oldest continuously operated, coeducational school in NYC — serves college-bound day students in Kindergarten-Grade 12.